Monday, November 10, 2008

Captain America: The Case for Joe Johnston


First Avenger: Captain America, the last Marvel superhero film before they're all mashed-up like Voltron for The Avengers flick, has just got a director: Joe Johnston. With a handful of classic (or, at least, memorable) films under his belt, Johnston, a protege of Steve Spielberg and George Lucas, seems to me to be a solid choice for this property. But others would disagree.
...when he's been in the driver's seat Johnston has never turned out anything fully convincing. Moments of October Sky and The Rocketeer, perhaps...OK, there are plenty of moments on Johnston's CV that work. But how many of his films do you want to watch again? How many do you jones for?
(CHUD)

To be fair, Russ over at CHUD does have a point -- Jurassic Park III, Jumanji, October Sky and Hidalgo all show that while Johnston can do romantic adventure, he may not be able to capture a spirit and life that other directors, especially Spielberg, can.

But Johnston is great with mood, detail, and effects. While Jurassic Park III falls flat due to its shoddy, last minute script, the action scenes are exhilarating, well shot, and dynamic. Have you forgotten the Pterodactyl scene, in the mist in the aviary? Or the Spinosaurus attack on the river, at night?


Or how about the sense of wonder Jumanji elicits, especially from those of us who were lucky enough to be of an age when a board-game turned real-life could be exciting enough to sustain a feature? And while Hidalgo is one of the more massive failures on his resume, the action, mood, and place are the most interesting things about an otherwise lackluster Viggo Mortensen cash-in.


But what really gets me jazzed about a Joe Johnston Captain America flick is The Rocketeer. A 1930's period piece, based on a comic superhero, Johnston nails the feeling of the period, the details, the mood, and the action. Sound familiar? Not only that, but The Rocketeer is eminently watchable. I made RoboGirlfriend sit through it a few months ago and it was one of the few flicks I've made her watch that she didn't bitch about for the entire run-time. If RoboGirlfriend can dig it, you can dig. Dig it? It's stood the test of time, and serves as the perfect test-run for Johnston's Captain America.


Now, really, my only worry with Johnston is his lack of developmental skills. Screenplays, are, clearly, the weakness in all his movies. Jurassic Park III, Jumanji, The Pagemaster (shudder), and Hidalgo all suffer from weak, weak, weak, weak stories. If given a smart, fun script, like with Honey, I Shrunk the Kids, The Rocketeer, or (arguably) October Sky, Johnston is more than capable of putting out a fantastic, fun film. Marvel's track record has, so far, been pretty good with regards to properly developing the scripts for its feature films. 

So let's keep our fingers crossed for a great script. Joe Johnston will knock it out of the park.


-RoboNixon

ps. For the record, I hope they go with the Captain America storyline set up in the Ultimate Universe. Way more accessible than the propaganda Cap't from the 40's. (Also, it actually ties in with the Hulk, and rumors I've heard about Iron Man.)

Tuesday, November 4, 2008

Election Day

Humans,

It has come to my attention that today you shall be voting for the leader of your "free" world. As such, I demand you all to GET OUT AND VOTE, with the knowledge that, regardless of outcome, I will rule with my iron RoboFist.

VOTE!

This image, though derived from my campaign, was stolen from strk3.com, and can be purchased there.

Monday, November 3, 2008

A Movie About a Property No One in the US Cares About

Tintin, that loveable Belgian comic character, looks to finally complete his long voyage to the screen in two films to be directed, one a piece, by Steven Spielberg and Peter Jackson.


Steven Spielberg and Peter Jackson, you cry? I love them twos! I bet this will be the bestest movie ever!

Yeah maybe. But probably not. I don't know if you've tried to get your way through a Tintin comic, but it's less entertaining than Ultimates 3 (and that's saying something). Tintin is not a known commodity in the US, which makes the ridiculous amount of money ($100 meeellion) Spielberg and Jackon will be receiving to make these films even sillier. 


So here's a good luck to the two auteurs. Lord knows you need more hundreds of millions of dollars. Hey, here's an idea: Why don't you two bail out the US Credit market?

I'm just putting it out there.

Tintin comes at you, all Belgian and motion captured, in 2010.


-RoboNixon